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the phenomenon that has long broken the boundaries of theater and it is welcomed as if it were a rock concert

Cristian Ceresoli is a writer, born in Bergamo in 1975. His debut writing is La Merda (2012). The “extraordinary, brutal, disturbing and human” (The Times) text on the human condition earned him the Fringe First Award for Writing Excellence (first Italian ever), the Arches Brick Award for Emerging Art and a nomination for the Total Theater Award for Innovation at the Edinburgh Festival Fringe in 2012. In Italy, among others, the Critics Award.

 

La Merda, originally written in Italian, is translated, published or staged around the world in numerous other languages, including English, Greek, Danish, Czech, Spanish, Galician, Portuguese, French, German, Swedish, Norwegian and being translated into other languages. The work is published in a bilingual edition by the English publisher Oberon Books in 2012 and in 2017 in Italy by Gallucci HD.

 

La Merda manifests as a stream of consciousness where, in poetry, the bulimic and revolting public confidence of a “young” ugly woman who tries with obstinacy, resistance and courage to break through the society of the Thighs and Freedoms is unleashed.

 

The original production, performed in English or Italian by The Stage Award Winning actress Silvia Gallerano, has enjoyed great success with audiences and critics all over the world (from Europe to Brazil, from Australia to North America). Eight years after his debut, the phenomenon that has long broken the boundaries of theater and it is welcomed as if it were a rock concert, continues its live tour, recording sold out both in large cities and in the remote suburbs and provinces.

 

The Brazilian production (A Merda) interpreted by Christiane Tricerri, as well as the Danish production (Lort) interpreted by Danica Curcic and the Norwegian one (Dritt) with Helga Guren, make a long tour studded with sold out and prestigious national awards.

In 2009 he wrote a sung opera, with original music, dedicated to the Gospels inlaid to the Israeli-Palestinian conflict, entitled La Dolorosa (2009). On commission of the Arena di Verona, he writes the opera libretto Othello Sex Machine (2013).

 

In 2019 the debut in Denmark and Italy, in 2020 in Norway, of his new writing a lysergic and psychedelic play entitled Happy Hour (2019). The “desperate, chilling, fierce and poetic” (The Scotsman) work was composed starting from 2007, as if it were the second fragment of the same landscape, as if (with La Merda) the two works illuminated parts of the same painting. Happy Hour has been nominated at Copenhagen Culture as Best New Play

 

It is a score (or city) where amusing mass deportations occur, in which the most colorful of fascisms is affirmed. A poem of tendency to the overwhelming rhythm of an uninterrupted and daily happy hour, in a delirious renewal of the language, crossed by a humanity that enjoys life, gheparded clothing and is willing to do anything to defend their enthusiasm.

 

The Italian production with Silvia Gallerano & Stefano Cenci and the Danish production with Özlem SaglanmakAsbjorn Krogh Nissen are both directed by Simon Boberg, an internationally renowned Danish director, formerly director of the theatrical and television production of Lort (La Merda) in Denmark. The Norwegian production with Helga Guren & Karl Vidar directed by Audny Chris Holsen makes its debut in September 2020.

 

Ceresoli is now writing his first film Home Video Memories that will be directed by acclaimed cinema director Roberta Torre (starring Silvia Gallerano) and his first tv series The Butterflies with acclaimed Irish tv director Conor Morrissey (EastEnders).

From 2013 he collaborates with the Olivier, TONY and EMMY Award-winning producer Richard Jordan Productions.

Awards for La Merda

 

Edinburgh Fringe First Award 2012 for Writing Excellence

The Stage Award 2012 for Acting Excellence to Silvia Gallerano

Arches Brick Award 2012 for Emerging Art

Total Theatre Award 2012 for Innovation (Nomination)

Premio della Critica 2012 Miglior Spettacolo

Jury Award Giovani Realtà del Teatro 2010

Audience Award Giovani Realtà del Teatro 2010

Dodicidonne ATCL Lazio Award 2010 to Silvia Gallerano

Edinburgh Fringe Sell-out Show 2012 & 2013

Reumert Award 2015 for Best Actress to Danica Curcic

Prêmio Aplauso Brasil 2018 (Nomination) to Christianne Tricerri

Norwegian Hedda Award 2019 for Best Actress to Helga Guren

 

 

Awards for Happy Hour

 

 

Best New Play for a non-Danish Writer 2019 Copenhagen Culture (Nomination)

***

 

 

International Press on La Merda

 

 

‘Una obra sublime tan brutal.’

El País (Spain)

 

 

‘Extraordinary, uncompromising and entirely unforgettable. Rich, absorbing worlds that suck you in and shake you up, leaving you disorientated, disturbed and exhilarated’

★★★★ The Times (UK)

 

 

‘Um ato de revolta e libertade. Na sua ira discursiva, com verdades e delírio, o que surge é o ser humano entrevisto e retratado na alta literatura’

Estadão (Brazil)

 

 

‘Extraordinary, terrifying and hard to taste, hard to ignore. A piece so literally and metaphorically naked, raw and angry that you leave the theatre feeling as if you’ve had all your skin scraped off’

★★★★ The Guardian (UK)

 

 

‘Gallerano’s visceral performance will stay with you for years’

★★★★★ The Stage (UK)

 

 

‘Think Beckett on steroids. A furious stream-of-consciousness.’

The Georgia Straight (Canada)

 

 

‘Devastating stream of consciousness. One of the most wonderfully full–on performance ever seen’

★★★★ The Scotsman (UK)

 

 

‘È come entrare in un circo. La belva pronta, sul trampolo. Guarda, annuisce, ruggisce. Di fronte a lei, senza alcun riparo, tutti i domatori. La Merda, di Cristian Ceresoli, fra le decine e decine di premi, vinti in tutto il mondo, non è uno spettacolo. È un’esperienza. Assoluta. Quindici minuti di applausi finali. Imperdibile.’

La Repubblica (Italy)

 

 

‘Estamos falando da verdadeira revolução pretendida pelo cineasta Píer Paolo Pasolini’

★★★★ Folha de São Paulo (Brazil)

 

 

‘It is anti fascist as well as anti abuse; against people who play for power over others. Parts of this show are so politically incorrect that they come at you from unexpected angles. Certainly the whole piece is pushing boundaries of theatre in new ways.’

The Advertiser (Australia)

 

 

‘How a culture of celebrity feeds a returning tide of European neo-Nazism’

ABC (Australia)

 

 

‘Teater, der virkelig vil os noget’

★★★★★ Politiken (Denmark)

 

 

‘Brash, brutal, beastly, yet beautiful. Raw, touching, intelligent and mesmerising. Unforgettable.’

★★★★ The List (UK)

 

 

Utterly compelling verbal symphony. Somewhat perversely, the compelling honesty

of what follows is simply irresistible’

★★★★ The Herald (UK)

 

 

‘Il monologo rivoluzionario.’

Il Sole 24 Ore (Italy)

 

 

‘Una voce s’è desta. Un grido di dolore. Uno stimolo a liberare il nostro paese.’

L’Unità (Italy)

 

 

‘This is skin in the tradition of Artaud and it is powerful, political & poetic.’

★★★★★ Examiner (USA)

 

 

‘A manifest of anger and tenderness, a stand-up tragedija’

Ore (Lithuania)

 

 

‘Pragtfuld Silvia Gallerano sig i det mest forbløffende monolog-manuskript siden.’

★★★★★ GregersDH (Denmark)

 

 

***

 

 

International Press on Happy Hour

 

 

‘Desperate and chilling, a fierce commentary on a society spinning helplessly towards barbarism; it blazes with the kind of poetic and theatrical energy that leaves audiences not depressed, but exhilarated and empowered.’

★★★★ The Scotsman (UK)

 

 

‘A play that surprises like surrealism and sounds like a symphony,

angry, passionate and compelling.’

Total Theatre (UK)

 

 

’An incredibly acted, grotesquely comedic and brutal journey

through a fascist, totalitarian landscape.’

★★★★ The Wee Review (UK)

 

 

‘A larger than life performance’

The Independent (UK)

Seductive & innocent.

★★★★★ Gregers (Denmark)

 

 

Violent and scary.

★★★★★ Ungt Teaterblod (Denmark)

 

 

Inevitable.

★★★★ Sceneblog (Denmark)

 

 

Strong and rhythmic.

★★★★ Kulturtid (Denmark)

2022

7 APRIL 2022 – BERGAMO, ITALY / Teatro Sociale – HAPPY HOUR

6 MARCH 2022 – ROMA, ITALY /  Auditorium Parco della Musica – LA MERDA #10 YEARS

2 MARCH 2022 – BOLOGNA, ITALY / Teatro Duse –  LA MERDA #10 YEARS

24, 25 FEBRUARY 2022 – MILANO, ITALY / Teatro Leonardo – LA MERDA  #10 YEARS

2022 – TORINO, ITALY /  LA MERDA #10 YEARS

2022 – FIRENZE, ITALY /  LA MERDA #10 YEARS

 

2021

31 JULY 2021 – PIOMBINO, ITALY / Contamina Festival – HAPPY HOUR

12 >14 MAY 2021 – GENOVA, ITALY / Teatro Nazionale – HAPPY HOUR

 

 

2020

17 > 23 AUGUST 2020 – Zoo TV / Edinburgh Fringe Festival – LA MERDA STREAMING

14, 15 FEBRUARY 2020 – MILANO, ITALY / Teatro Leonardo – LA MERDA SOLD OUT

5 SEPTEMBER >  17 OCTOBER 2020 – STAVANGER, NORWAY / Rolagand Teater – HAPPY HOUR (NORWEGIAN)

ITALIAN BOOKING

Paola Farinetti
Phone  +39 335 8337365‬
email

 

 

INTERNATIONAL BOOKING

Richard Jordan Productions Ltd
Phone +44 7779 013148‬
email

2019

31 JULY > 26 AUGUST 2019 – EDINBURGH, UK / Edinburgh Fringe Festival – HAPPY HOUR IN ENGLISH WORLD PREMIERE

17 > 26 JULY 2019 – JERSEY ISLAND, UK / Jersey Arts Centre – HAPPY HOUR IN ENGLISH, REHEARSING + 2 PREVIEWS

23 JUNE 2019 – ASTI, ITALY / Festival Asti Teatro – HAPPY HOUR SOLD OUT

11 > 12 JUNE 2019 – OSLO, ITALY / Heddadagene Festival – DRITT (LA MERDA)

18 MAY 2019 – ROMA, ITALY / Spin Time Labs – ORGIA DELLE SCRITTURE × BACCHANALIA

14 > 18 MAY 2019 – ROMA, ITALY / Spin Time Labs – WRITING MASTERCLASS × BACCHANALIA

2 > 5 MAY 2019 – ROMA, ITALY – HAPPY HOUR IN ENGLISH, REHEARSING + 2 READINGS

30 MARCH 2019 – VITERBO, ITALY / Teatro Caffeina – LA MERDA

29 MARCH 2019 – ROMA, ITALY / Spin Time Labs – ORGIA DELLE SCRITTURE × BACCHANALIA

26 > 29 MARCH 2019 – ROMA, ITALY / Spin Time Labs – WRITING MASTERCLASS × BACCHANALIA

24 MARCH 2019 – SAVIGNANO SUL RUBICONE (FC), ITALY / Cinema Teatro Moderno – HAPPY HOUR

23 MARCH 2019 – FABBRICO (RE), ITALY / Teatro Pedrazzoli – HAPPY HOUR

9 MARCH 2019 – PARMA, ITALY / Teatro del Cerchio – LA MERDA

7 MARCH 2019 – BOLOGNA, ITALY / Teatro Duse – LA MERDA

3 MARCH 2019 – MILANO, ITALY / Teatro Leonardo – HAPPY HOUR ANTEPRIMA MILANESE

28 FEBRUARY > 2 MARCH 2019 – MILANO, ITALY / Teatro Leonardo – LA MERDA

15 FEBRUARY 2019 – COPENHAGEN, DENMARK / Teater Grob – HAPPY HOUR IN ENGLISH, FIRST READING

24 JANUARY > 14 FEBRUARY 2019 – COPENHAGEN, DENMARK / Teater Grob – HAPPY HOUR (DANISH)

2018

26 NOVEMBER 2018 – BORGO VALSUGANA (TN), ITALY / Auditorium Borgo Valsugana – LA MERDA

8 > 11 NOVEMBER 2018 – ROMA, ITALY / Carrozzerie n.o.t – HAPPY HOUR ANTEPRIMA ROMANA SOLD OUT

6 NOVEMBER 2018 – SOLIERA (MO), ITALY / Arti Vive – HAPPY HOUR SOLD OUT

30 OCTOBER > 4 NOVEMBER 2018 – PRATO, ITALY / Teatro Metastasio – HAPPY HOUR ITALIAN PREMIERE SOLD OUT

4 OCTOBBER > 1 NOVENBER 2018 – STAVANGER, NORWAY / Rogaland Teater – DRITT (LA MERDA)

26 > 27 SEPTEMBER 2018 – FREDRIKSTAD, NORWAY – DRITT (LA MERDA)

25 SEPTEMBER 2018 – ASKIM, NORWAY – DRITT (LA MERDA)

21 SEPTEMBER 2018 – MOSS, NORWAY – DRITT (LA MERDA)

18 SEPTEMBER 2018 – SARPSBORG, NORWAY – DRITT (LA MERDA)

16 SEPTEMBER 2018 – MOSS, NORWAY / Moss NonStop International Theater Festival – DRITT (LA MERDA) NORWEGIAN PREMIERE

14 > 15 SEPTEMBER 2018 – MODUGNO (BA), ITALY / CAE Masseria Carrara – CRISTIAN CERESOLI’S WRITING MASTERCLASS

9 SEPTEMBER 2018 – ALBA (CN), ITALY / Attraverso Festival – SECONDO STUDIO HAPPY HOUR

9 > 20 JULY 2018 – PRATO, ITALY / Teatro Metastasio – HAPPY HOUR, REHEARSING

15 JULY 2018 – PERGINE (TN), ITALY / Pergine Festival – SECONDO STUDIO HAPPY HOUR

2 JUNE 2018 – COPENHAGEN, DENMARK / CPH Stage Festival – TALK WITH CRISTIAN CERESOLI & NASSIM SOLEIMANPOUR

22 > 24 MAY 2018 – OSLO, NORWAY – REHEARSING DRITT (LA MERDA), NORWEGIAN PRODUCTION

19 MAY 2018 – PALERMO, ITALY / TMO Teatro Mediterraneo Occupato – LA MERDA SOLD OUT

17 > 18 MAY 2018 – CATANIA, ITALY / Teatro Coppola, Teatro dei Cittadini – LA MERDA SOLD OUT

11 > 13 MAY 2018 – ROMA, ITALY / Spin Time Labs – LA MERDA SOLD OUT

7 > 8 MAY 2018 – SOMEWHERE SECRETELY, ITALY – HAPPY HOUR, DEVELOPING RESIDENCY

4 > 5 MAY 2018 – FIRENZE, ITALY / Teatro Rifredi – LA MERDA SOLD OUT

29 MARCH 2018 – PISTOIA, ITALY / Il Funaro – PRIMO STUDIO HAPPY HOUR SOLD OUT

24 > 30 MARCH 2018 – PISTOIA, ITALY / Il Funaro – HAPPY HOUR, DEVELOPING RESIDENCY

22 > 23 MARCH 2018 – ROMA, ITALY / Auditorium Parco della Musica – LA MERDA

13 MARCH 2018 – GORIZIA, ITALY / Teatro Verdi – LA MERDA

3 FEBRUARY 2018 – MILANO, ITALY / Teatro Leonardo – LA MERDA EXTRA DATE SOLD OUT

1 > 2 FEBRUARY 2018 – MILANO, ITALY / Teatro Leonardo – LA MERDA SOLD OUT

26 > 27 JANUARY 2018 – BRUXELLES, BELGIUM / KVS – LA MERDA (ENGLISH) SOLD OUT

2017

9 DECEMBER 2017 – CATANZARO, ITALY / Teatro Comunale – LA MERDA

2 DECEMBER 2017 – FERRAZZANO (CB), ITALY / Teatro del Loto – HAPPY HOUR, READING

27 > 30 NOVEMBER 2017 – ROMA, ITALY / Spin Time Labs – HAPPY HOUR, DEVELOPING RESIDENCY

25 > 27 OCTOBER 2017 – ROMA, ITALY / Spin Time Labs – LA DOLOROSA, DEVELOPING RESIDENCY

6 JULY 2017 – SOLIERA (MO), ITALY / Arti Vive Festival – HAPPY HOUR, READING

1-2 JULY 2017 – ROMA, ITALY / REDFest – ROCK ‘N’ ROLL SUICIDE, SILVIA GALLERANO E CRISTIAN CERESOLI’S WORKSHOP

14 JUNE 2017 – PRATO, ITALY / Festival Prato Estate – LA MERDA SOLD OUT

2 > 13 MAY 2017 – VANCOUVER, CANADA / The Cultch – LA MERDA IN ENGLISH

6 APRIL 2017 – BERGAMO, ITALY / Auditorium Piazza della Libertà – LA MERDA SOLD OUT

27 > 28 MARCH – CATANIA, ITALY / Teatro Coppola, Teatro dei Cittadini – LA MERDA SOLD OUT

26 MARCH 2017 – ENNA, ITALY / Teatro Garibaldi – LA MERDA

23 > 24 MARCH 2017 – ROMA, ITALY / Carrozzerie | n.o.t – FILMING LA MERDA / SPECIAL LIVE CINEMA EVENT SOLD OUT

19 MARCH 2017 – ROMA, ITALY / Festival Libri Come – LA MERDA, PRESENTAZIONE + READING LIBRO CD GALLUCCI EDITORE

18 MARCH 2017 – ROMA, ITALY / Teatro Due – LA MERDA, LA STORIA

10 > 12 MARCH 2017 – BOLOGNA, ITALY / Ert – Teatro delle Moline – XY, LA PRATICA DEL DOLORE

6, 13, 20 MARCH 2017 – ROMA, ITALY / Teatro Due – LA MERDA IN ENGLISH

1 > 20 MARCH 2017 – ROMA, ITALY / Teatro Due – LA MERDA SOLD OUT

27 FEBRUARY 2017 – RAI RADIO, ITALY / Il Teatro di Radio3 – LA MERDA + INTERVISTA A SILVIA GALLERANO E CRISTIAN CERESOLI

18 FEBRUARY 2017 – ABBADIA SAN SALVATORE (SI), ITALY / Cinema Teatro Amiata – LA MERDA SOLD OUT

2016

29 OCTOBER 2016 – ROMA, ITALY / Spin Time Labs – HAPPY HOUR, FIRST READING

24 > 30 OCTOBER 2016 – ROMA, ITALY / Spin Time Labs – #RABBIA13

21 AUGUST 2016 – SCANSANO (GR), ITALY / Teatro nel Bicchiere – LA MERDA

25 > 31 JULY 2016 – BATAVILLE, FRANCE / La Fabrique Autonome des Acteurs – LA MERDA, DEVELOPING RESIDENCY

4 > 9 JULY 2016 – ROMA, ITALY / Arci Malafronte – STUPORE + #RABBIA12

JUNE 2016 – LIVE TV, DENMARK / Dr TV – LORT (LA MERDA)

21 MAY 2016 – LISBON, PORTUGAL / Festival de Almada – LA MERDA SOLD OUT

30 APRIL > 19 JUNE 2016 – SÃO PAULO, BRASIL / Teatro Espaço Parlapatões – A MERDA (LA MERDA)

7 APRIL 2016 – ROMA, ITALY / Auditorium Parco della Musica – LA MERDA EXTRA DATE SOLD OUT

2 > 15 APRIL 2016 – COPENHAGEN, DENMARK / Husets Theater – LORT (LA MERDA)

1 > 3 APRIL 2016 – MILANO, ITALY / TeatRing – SILVIA GALLERANO ACTING WORKSHOP

14 > 18 MARCH 2016 – ROMA, ITALY / Centro Alta Formazione Teatro – STUPORE

11, 12, 13 MARCH 2016 – SOLIERA (MO), ITALY / Nuovo Cinema Teatro Italia – SILVIA GALLERANO ACTING WORKSHOP

10 MARCH 2016 – SOLIERA (MO), ITALY / Nuovo Cinema Teatro Italia – LA MERDA SOLD OUT

9 MARCH 2016 – CADELBOSCO (RE), ITALY / L’Altro Teatro – LA MERDA SOLD OUT

19 FEBRUARY 2016 – ROMA, ITALY / Auditorium Parco della Musica – LA MERDA  SOLD OUT

18 FEBRUARY 2016 – FIRENZE, ITALY / Teatro Puccini – LA MERDA EXTRA DATE SOLD OUT

17 FEBRUARY 2016 – BOLOGNA, ITALY / Teatro Duse – LA MERDA EXTRA DATE SOLD OUT

11 FEBRUARY 2016 – TORINO, ITALY / Teatro Colosseo – LA MERDA

6 FEBRUARY 2016 – BOLZANO, ITALY / Teatro Stabile di Bolzano – LA MERDA SOLD OUT

9 JANUARY 2016 – LECCE, ITALY / Cantieri Teatrali Koreja – LA MERDA SOLD OUT

2015

11 > 13 DECEMBER 2015 – BERGAMO, ITALY / Let’s Play – SILVIA GALLERANO LA MERDA’S WORKSHOP

2 DECEMBER 2015 – TORINO, ITALY / Circolo dei Lettori – BESTEMMIA. PASOLINI (READING)

26 > 28 NOVEMBER 2015 – MILANO, ITALY / TeatRing – SILVIA GALLERANO LA MERDA’S WORKSHOP

24 > 26 NOVEMBER 2015 – BELA VISTA (SÃU PAULO), BRAZIL / Teatro Sérgio Cardoso – A MERDA (LA MERDA)

22 NOVEMBER 2015 – ALBA, ITALY / Poetica – BESTEMMIA. PASOLINI (READING)

21 NOVEMBER 2015 – PRAGUE, CZECH REPUBLIC / The Dejvické Theatre – FERDINAND VANEK AWARD FOR LA PRATICA DEL DOLORE

17 > 19 NOVEMBER 2015 – BELA VISTA (SÃU PAULO), BRAZIL / Teatro Sérgio Cardoso – A MERDA (LA MERDA)

8 > 9 NOVEMBER 2015 – BIRMINGHAM, UK / mac – LA MERDA

5 > 6 NOVEMBER 2015 – MANCHESTER, UK / The Lowry – LA MERDA

12 OCTOBER 2015 – OURENSE, GALICIA (SPAIN) / Festival Internacional de Teatro de Ourense – LA MERDA

2 > 3 OCTOBER 2015 – URGNANO (BG), ITALY / Experimenta International Festival – LA MERDA SOLD OUT

27 SEPTEMBER 2015 – PARAGUACU PAULISTA, BRAZIL / Anfiteatro das Faculdades Gammon – A MERDA (LA MERDA)

26 SEPTEMBER 2015 – POMPÉIA, BRAZIL / Espaço Cultural Professora Carmen Célia Verri Maciel – A MERDA (LA MERDA)

20 SEPTEMBER 2015 – GUAÍRA, BRAZIL / Casa de Cultura Prof. João Augusto de Mello – A MERDA (LA MERDA)

19 SEPTEMBER 2015 – BARRETOS, BRAZIL / Teatro Cine Barretos – A MERDA (LA MERDA)

18 SEPTEMBER 2015 – MIGUELOPÓLIS, BRAZIL / Centro Cultural de Miguelópolis – A MERDA (LA MERDA)

13 SEPTEMBER 2015 – GUARIBA, BRAZIL / Sede Social do Guaribinha Clube – A MERDA (LA MERDA)

12 SEPTEMBER 2015 – MOCOCA, BRAZIL / Teatro Municipal Pedro Angelo Camim – A MERDA (LA MERDA)

5 > 6 SEPTEMBER 2015 – SAO JOSE DOS CAMPOS, BRAZIL / Sesc São José dos Campos A MERDA (LA MERDA)

1 SEPTEMBER 2015 – MOGI GUACU, BRAZIL / Teatro TUPEC – A MERDA (LA MERDA)

25 > 30 AUGUST 2015 – EDINBURGH, UK / Edinburgh Fringe Festival, Summerhall – LA MERDA

9 JULY > 16 AUGUST 2015 – SÃU PAULO, BRAZIL / Sesc Pinheiros – A MERDA (LA MERDA) SOLD OUT

1 AUGUST 2015 – GAVORRANO, ITALY – LA MERDA SOLD OUT

21 JULY 2015 – RIBADAVIA, GALICIA (SPAIN) / Mostra Internacional de Teatro de Ribadavia – LA MERDA SOLD OUT

12 JULY 2015 – TIVOLI, ITALY / Tivoli Chiama, Festival delle Arti – LA MERDA

26 > 27 JUNE 2015 – BERLIN, GERMANY / Maxim Gorki Theater – LA MERDA SOLD OUT

10, 12, 13, 14 JUNE 2015 – COPENHAGEN, DENMARK / CPH Stage, Husets Theater – LORT (LA MERDA) SOLD OUT

7 JUNE 2015 – MASSA, ITALY / Memofest – LA MERDA SOLD OUT

15 > 17 MAY 2015 – MILANO, ITALY / TeatRing – SILVIA GALLERANO ACTING WORKSHOP

12 MAY 2015 – VILNIUS, LITHUANIA / The Small State Theater – LA MERDA SOLD OUT

22 APRIL 2015 – PRATO, ITALY / World Book Day – TALK WITH CRISTIAN CERESOLI

18 APRIL 2015 – BELLUNO, ITALY / Teatro Comunale – LA MERDA

16 APRIL 2015 – BOLOGNA, ITALY / Teatro Duse – LA MERDA SOLD OUT

15 APRIL 2015 – LUMEZZANE (BS), ITALY / Teatro Odeon – LA MERDA

12 APRIL 2015 – ALBA, ITALY / Teatro Sociale – LA MERDA SOLD OUT

11 APRIL 2015 – GENOVA, ITALY / Teatro Archivolto – LA MERDA EXTRA DATE SOLD OUT

10 APRIL 2015 – GENOVA, ITALY / Teatro Archivolto – LA MERDA SOLD OUT

9 APRIL 2015 – FIRENZE, ITALY / Teatro Puccini – LA MERDA SOLD OUT

19 > 21 MARCH 2015 – MADRID, SPAIN / Festival de Otoño a Primavera – LA MERDA SOLD OUT

5 > 8 MARCH 2015 – ADELAIDE, AUSTRALIA / Adelaide Festival of Arts – LA MERDA

11 > 28 MARCH 2015 – AALBORG, DENMARK / Teater Nordkraft – LORT (LA MERDA)

20 FEBRUARY 2015 – PALERMO, ITALY / Teatro Garibaldi – LA MERDA SOLD OUT

24 > 25 JANUARY 2015 – COSENZA, ITALY / Teatro dell’ Acquario – LA MERDA SOLD OUT

17 JANUARY > 8 FEBRUARY 2015 – COPENHAGEN, DENMARK / Husets Theater – LORT (LA MERDA) SOLD OUT

31 JANUARY 2015 – VASTO (CH), ITALY / Teatro Rossetti – LA MERDA SOLD OUT

24 > 25 JANUARY 2015 – COSENZA, ITALY / Teatro dell’Acquario – LA MERDA SOLD OUT

5 JANUARY 2015 – CAGLIARI, ITALY / Teatro Massimo, Teatro Stabile della Sardegna – LA MERDA SOLD OUT

2014

29 NOVEMBER 2014 – RIMINI, ITALY / Teatro degli Atti – LA MERDA SOLD OUT

17 OCTOBER 2014 – SALERNO, ITALY / Centro Sociale Auditorium – LA MERDA SOLD OUT

16 OCTOBER 2014 – ROMA, ITALY / Via del Mandrione, 105 – LA MERDA SPECIAL EVENT SOLD OUT

10 > 12 OCTOBER 2014 – NAPOLI, ITALY / Galleria Toledo – LA MERDA

8 > 9 OCTOBER 2014 – CAMPOBASSO, ITALY / Teatro del Loto – LA MERDA SOLD OUT

5 JULY 2014 – PERGINE (TN), ITALY / Pergine Festival – LA MERDA

4 JULY 2014 – ASTI (TO), ITALY / Asti Teatro – LA MERDA SOLD OUT

3 JULY 2014 – TORINO, ITALY / Scuola Holden – LA MERDA SOLD OUT

13 > 15 JUNE 2014 – COPENHAGEN, DENMARK / CPH Stage – LA MERDA SOLD OUT

22 > 23 MAY 2014 – BRISTOL, UK / Mayfest
 – LA MERDA

15 > 17 MAY 2014 – BERLIN, GERMANY / Studio Я, Maxim Gorki Theater – LA MERDA SOLD OUT

15 APRIL > 4 MAY 2014 – LONDON, UK / Soho Theatre 
– LA MERDA

10 > 11 APRIL 2014 – GLASGOW, SCOTLAND / The Arches
 – LA MERDA

31 MARCH 2014 – LUGANO, SWITZERLAND / Teatro Foce – LA MERDA SOLD OUT

30 MARCH 2014 – COLLEGNO (TO), ITALY / Villa 5 – LA MERDA SOLD OUT

15 MARCH 2014 – MONTESCUDO (RN), ITALY / Teatro Rasaspina – LA MERDA SOLD OUT

14 MARCH 2014 MONTEMARCIANO (AN), ITALY / Teatro Alfieri – LA MERDA SOLD OUT

9 MARCH 2014 – MILANO, ITALY / Macao – LA MERDA SOLD OUT

9 FEBRUARY 2014 – ROMA, ITALY / Teatro Valle Occupato – LA MERDA EXTRA DATE SOLD OUT

7 > 8 FEBRUARY 2014 – ROMA, ITALY / Teatro Valle Occupato – LA MERDA SOLD OUT

2013

7 DECEMBER 2013 BARI, ITALY / Teatro Kismet – LA MERDA SOLD OUT

6 DECEMBER 2013 – BARI, ITALY / Officina degli Esordi 
– CRISTIAN CERESOLI’S LECTURE ON LA MERDA

29 NOVEMBER 2013 – CREMA (CR), ITALY / Teatro San Domenico – LA MERDA

28 NOVEMBER 2013 – CANTÙ (CO), ITALY / Teatro San Teodoro – LA MERDA SOLD OUT

26 NOVEMBER 2013 PESCARA, ITALY / Cine Teatro Massimo
 – LA MERDA

23 NOVEMBER 2013 – SAN LAZZARO (BO), ITALY / ITC Teatro – LA MERDA SOLD OUT

17 NOVEMBER 2013 – MILANO, ITALY / Teatro Elfo Puccini – LA MERDA EXTRA DATE SOLD OUT

12 > 17 NOVEMBER 2013 MILANO, ITALY / Teatro Elfo Puccini – LA MERDA SOLD OUT

11 NOVEMBER 2013 – MILANO, ITALY / Università Cattolica – CRISTIAN CERESOLI AND SILVIA GALLERANO’S LECTURE ON LA MERDA

27 SEPTEMBER 2013 SASSARI, ITALY / Teatro Civico – LA MERDA SOLD OUT

14 > 25 AUGUST 2013 EDINBURGH, UK / Summerhall, Edinburgh Fringe Festival – LA MERDA SOLD OUT

15 JUNE 2013 – COPENHAGEN, DENMARK / Festival European Contemporary Playwritings 2013 – LORT (LA MERDA) READING SOLD OUT

***LA MERDA TOUR SUSPENDED APRIL > JULY 2013***

09 > 10 MARCH 2013 – SESTO FIORENTINO (FI), ITALY / Teatro della Limonaia – LA MERDA SOLD OUT

03 MARCH 2013 – MACERATA, ITALY – No Man’s Island
 – NOTES FOR A SOLO, LA MERDA

02 MARCH 2013 CASCINA (PI), Italy / La Città del Teatro di Cascina – LA MERDA SOLD OUT

06 FEBRUARY 2013 – JERSEY ISLAND, UK / Jersy Arts Centre – LA MERDA

23 > 27 JANUARY 2013 ROMA, ITALY / Teatro Valle Occupato – LA MERDA SOLD OUT

16 > 21 JANUARY 2013 MILANO, ITALY / Teatro i – LA MERDA SOLD OUT

12 JANUARY 2013 – PONTERANICA (BG), ITALY / Erbamil – LA MERDA SOLD OUT

2012

28 > 29 NOVEMBER 2012 BRIGHTON, UK / The Basement – LA MERDA SOLD OUT

9 NOVEMBER 2012 – ROMA, ITALY / Teatro Valle Occupato, Commons Cafe
 – LA MERDA (THE SHIT) / PRESENTING THE BOOK PUBLISHED BY OBERON BOOKS (LONDON, UK)

11 NOVEMBER 2012 – ROMA, ITALY / Teatro Valle Occupato – LA MERDA EXTRA DATE SOLD OUT

07 > 11 NOVEMBER 2012 ROMA, ITALY / Teatro Valle Occupato – LA MERDA SOLD OUT

04 NOVEMBER 2012LIVE RADIO3 / Zazà
 – LA MERDA

03 NOVEMBER 2012 – CASTROVILLARI (CS), ITALY / Primavera dei Teatri Festival – LA MERDA SOLD OUT

28 OCTOBER 2012 TORINO, ITALY / Lavanderie Ramone – LA MERDA SOLD OUT

20 OCTOBER 2012 – VENEZIA, ITALY / Teatro Goldoni, Teatro Stabile del Veneto – LA MERDA SOLD OUT

30 SEPTEMBER 2012 – TORTOLÌ (OG), ITALY / Teatro San Francesco, Sguardi sul Presente
 – LA MERDA SOLD OUT

04 > 26 AUGUST 2012 EDINBURGH, UK / Summerhall, Edinburgh Fringe Festival – LA MERDA WORLD PREMIERE SOLD OUT

28 > 30 JULY 2012 – BRIGHTON, UK / The Basement
 – LA MERDA, DEVELOPING RESIDENCY #2

18 > 22 JUNE 2012 BRIGHTON, UK / The Basement
 – LA MERDA, DEVELOPING RESIDENCY #1

01 JUNE 2012 – ROMA, ITALY / Teatro Valle Occupato, Sostanze Volatili
 – LA MERDA

25 MAY 2012 ROMA, ITALY / Teatro Palladium, Teatri di Vetro – LA MERDA SOLD OUT

31 MARCH 2012 – MILANO, ITALY / Teatro i – LA MERDA EXTRA DATE SOLD OUT

29 > 31 MARCH 2012 MILANO, ITALY / Teatro i – LA MERDA ITALIAN PREMIERE SOLD OUT

24 MARCH 2012 – LIVE RADIO / Radio3 – 
LA MERDA, EXCERPTS

22 > 24 MARCH 2012 – AZZANO (BG), ITALY / La Mànsiòn 
– LA MERDA, DEVELOPING RESIDENCY

13 MARCH 2012 LIVE RADIO / Radio Onda Rossa – LA MERDA

05 > 07 MARCH 2012 – GUBBIO, ITALY / Laboratorio 365
 – LA MERDA, DEVELOPING RESIDENCY

30 JANUARY 2012 – BRESCIA, ITALY / Amicicompliciamanti
 – LA MERDA, SECONDO STUDIO

2011

02, 03 NOVEMBER 2011 – BOLOGNA, ITALY / Gender Bender International Festival – LA MERDA, SECONDO STUDIO SOLD OUT

25 > 27 OCTOBER 2011 – NAPOLI, ITALY / Galleria Toledo – 
LA MERDA, SECONDO STUDIO

04 OCTOBER 2011 – MILANO, ITALY / MilanOltre, Vetrina Italia – LA MERDA, SECONDO STUDIO

27 NOVEMBER 2011 ROMA, ITALY / Teatro Valle
 Occupato – LA MERDA, EXCERPT

23 JUNE 2011 – ROMA, ITALY / Teatro Valle Occupato – LA MERDA, EXCERPT

16 JUNE 2011 – SOLIERA (MO), ITALY / Arti Vive Festival 2011
 – LA MERDA, PRIMO STUDIO

11 JUNE 2011 – URGNANO (BG), ITALY / Festival Internazionale Experimenta 
– LA MERDA, PRIMO STUDIO

09 JUNE 2011 AZZANO (BG), ITALY / La Mansiòn
– LA MERDA, DEVELOPING RESIDENCY

31 MAY 2011 – ROMA, ITALY / Alphesus – Marte Live 2011
– LA MERDA, EXCERPT

18 MARCH 2011 – TORINO, ITALY / Ex Cimitero S.Pietro in Vincoli – LA MERDA, FIRST READING SOLD OUT

ITALIAN BOOKING

Paola Farinetti
Phone  +39 0173 366549
email

 

 

INTERNATIONAL BOOKING

Richard Jordan Productions Ltd
Phone +44 (0) 207 243 9001
email

Il Fatto Quotidiano / La Merda: Il Teatro Valle è Occupato da Una Donna

di Domenico Naso, Il Fatto Quotidiano, 19 Novembre 2012

 

Una donna nuda sul palco “pronta a tutto”. E’ “La Merda”, monologo di Ceresoli

 

Lo spettacolo ha già fatto incetta di premi internazionali, a cominciare dal primo posto al prestigioso Fringe festival di Edimburgo. Ora, dopo una serie di date sold out a Roma, arriverà a Milano a gennaio. Al centro della scena Silvia Gallerano: il suo corpo è nudo, ma non è quello a lasciare choccati gli spettatori

 

Il teatro Valle è occupato, sì, ma per una sera da una donna, una sola. Piccolina, occhi grandi ed espressivi, i capelli raccolti in due “cornetti” ai lati della testa, Silvia Gallerano è nuda, letteralmente, su un trespolo da foca ammaestrata. È l’unica protagonista del monologo “La Merda”, acclamata opera di Cristian Ceresoli che ha già fatto incetta di premi, a cominciare dal primo posto al prestigioso Fringe festival di Edimburgo. La scrittura del testo è eccellente, condita di efficaci artifici retorici che hanno un retrogusto shakespeariano, mentre il fil rouge ideale (e ideologico quanto basta) è evidentemente pasoliniano.

 

La platea è vuota. Il pubblico è sul palco e dà le spalle alle quinte, e la protagonista è lì, sul trespolo, nuda. All’inizio, giocoforza, gli sguardi sono tutti per quel corpo nudo, per quel pube esposto con una naturalezza alla quale ci si abitua subito. Anche perché l’attenzione è presto rapita da questa maschera viscerale e sofferente di una donna che racconta, su un doppio binario miscelato sapientemente, le insicurezze dell’individuo e quelle, altrettanto alienanti, di un paese intero.

 

In quell’ora di monologo appassionato c’è davvero molto del codice genetico dell’Italia di oggi. Compromessi, mezzucci, un maschilismo becero e volgare che domina una società insicura e bloccata. Ci sono le miserie dello show business, di quella tv che usa la donna come una bambola da gonfiare e sgonfiare a seconda delle mode e delle esigenze del “pubblico sovrano”, di quei dirigenti che provinano personalmente e con particolare perizia le malcapitate che sperano di fare carriera in televisione. Silvia ci descrive in maniera chiarissima il personaggio che interpreta: “E’ una ragazza che è pronta a tutto pur di farcela nel mondo dello spettacolo. Un mondo in cui, in questo momento storico, sembra che tutti vogliano farcela”.

 

Ma c’è soprattutto lo smarrimento di ognuno di noi, in quelle urla che trasfigurano il dolce viso di Silvia Gallerano e lo trasformano nell’urlo di Munch. Il pubblico è travolto dall‘inquietudine e dallo smarrimento. Le vene del collo si gonfiano, l’attrice vomita tutto l’insopportabile disprezzo nei confronti di un paese che non riconosce, nonostante il padre le avesse sempre parlato di quella nazione unita da omini “bassi e liberi” in camicia rossa e poi liberata da “quelli che resistevano”. La resistenza della protagonista è solo apparentemente fraintesa. All’inizio è assuefazione, abitudine. Poi si trasforma in rabbia nevrotica e ribellione interiore al limite di una alienante follia.

 

C’è molta Italia, nel testo, ma nessuno pensi a un monologo provinciale: “Quando siamo partiti per il Fringe festival – ci racconta la protagonista – non sapevamo come sarebbe andata e temevamo che molti avrebbero letto il testo come troppo italiano. Invece ci ha colpito il fatto che nessuno, anche nelle critiche sui giornali, ha identificato “La merda” come una storia solo italiana. Evidentemente sottolinea ed esaspera valori generali che coinvolgono tutto il mondo occidentale, a cominciare dal femminile e dall’asservimento al potere della televisione”. Nessun dubbio, poi, sulla scelta di stare sul palco completamente nuda: “E’ una suggestione che ha avuto Cristian e che io ho accettato, all’inizio senza nemmeno sapere bene per quale motivo. C’era qualcosa che mi diceva che era giusto. Poi ho trovato le mie motivazioni e mi sono data le mie risposte. Una scelta inevitabile per raccontare la vulnerabilità totale di un personaggio che si esibisce in questa maniera così mostruosa”.

 

E il finale non è per niente consolatorio. Lo sfogo della protagonista è segno di frustrazione e di resa ai metodi barbari della società italiana. La merda del titolo va trangugiata di nuovo, in un ciclo continuo che somiglia a un malfunzionante e puzzolente sistema di riciclaggio di rifiuti. “Finisce bene per lei – conclude la Gallerano – Non si ribella, non si oppone al sistema ma addirittura ne diventa fautrice estrema. Qualche dubbio sul lieto fine c’è stato, ma serviva qualcosa che descrivesse fino in fondo la parabola del personaggio”.

 

L’inno di Mameli finale, poi, cantato storpiandolo quasi come ci fosse Jimi Hendrix sul palco, è l’ultima suggestione di uno spettacolo che non delude le attese e riesce ad affrontare i temi del femminile e del suo difficile rapporto con la società contemporanea senza stereotipi stantii né parole d’ordine militanti. C’è solo un personaggio, nudo in ogni senso, che guida lo spettatore nel girone infernale della società contemporanea.